Angebote zu "Black" (1.162.559 Treffer)

Black Women Film and Video Artists als eBook Do...
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Black Women Film and Video Artists:

Anbieter: Hugendubel.de
Stand: 09.10.2017
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Black Women Film and Video Artists als eBook Do...
30,49 € *
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(30,49 € / in stock)

Black Women Film and Video Artists:

Anbieter: Hugendubel.de
Stand: 09.10.2017
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Cassie - Ein verhextes Video
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Cassie Nightingale und Jake Russell werden von ihrem jüngsten Familienmitglied, dem Baby Grace, so sehr auf Trab gehalten, dass sie beschließen, einen dringend benötigten Familienurlaub zu planen. Doch die Ereignisse überschlagen sich, so dass an eine Auszeit nicht zu denken ist: Cassie hingegen erlebt eine böse Überraschung, nachdem sie dem Reisejournalisten Henry in ihrer Funktion als Bürgermeisterin ein Interview gegeben hat. In dem Video, das er in seinem Blog veröffentlicht hat, scheint Cassie in einem gleißend hellen Licht zu verschwinden, so dass die zahllosen Besucher auf Henrys Website an Zauberei glauben.

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Stand: 06.07.2017
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Homeland - Das Video
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Carrie ist wieder einmal am Boden und versucht, sich umzubringen. Unterdessen soll Brody den Schneider Bassel im Auftrag von Roya in Sicherheit bringen. Als sie auf dem Weg zu Bassels Unterschlupf sind, geschieht ein Unglück. Zudem wächst der Druck auf Brody: Seine Frau Jessica ist zunehmend genervt von dem irritierenden Verhalten ihres Mannes. Saul könnte ihm ebenfalls gefährlich werde, denn er verfügt über einen Mikrochip mit brisanten Informationen über den Kriegshelden.

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Stand: 06.07.2017
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Friends - Ein unmoralisches Video
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Chandler und Monica kehren aus den Flitterwochen zurück - ohne ein einziges Geschenk für ihre Freunde. Die beiden haben nichts anderes mehr im Kopf, als sich mit einem Paar - Greg und Jenny - zu treffen, das sie auf der Heimreise kennen gelernt haben. Joey und Phoebe finden das überhaupt nicht komisch ... Durch einen dummen Zufall kommt heraus, dass Ross von der wilden Nacht, in der er mit Rachel das Baby zeugte, eine Videoaufzeichnung hat ...

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Stand: 06.07.2017
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Profiling Paris - Video-Killer
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Dem Team von Rocher werden drei Kriminologie-Studenten als Praktikanten zugewiesen. Ihr Können dürfen sie direkt bei einem ziemlich brutalen Fall beweisen: Jemand spielt den Ermittlern ein Video zu, das den Mord an einer jungen Frau zeigt. Es handelt sich um einen Serienmörder, der es liebt, seine Opfer zu inszenieren. Zunächst tappen alle im Dunklen, was den Tatverdächtigen betrifft. Doch ausgerechnet einer der Praktikanten liefert eine blutige Spur.

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Stand: 06.07.2017
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Architectural Space and Form in Science Fiction...
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Bachelor Thesis from the year 2000 in the subject Film Science, grade: 2.1, University of Reading (Dept. of Film/Architecture), course: BA Hons. Film and Drama/ Art and Architecture, language: English, abstract: Architectural space and form in Science Fiction Cinema often mirrors the identity of the individual occupying that space on the screen. However, in such films, it does more than just create certain ways of delineating (and connoting) an environment which parallels the characters position within an area guaranteeing and legitimizing their need to be there. Architectural space in Science Fiction cinema is also a space that the audience is invited and allowed to travel through - to participate, to partake in. The audience finds their way through the space, and therefore, are forced to relate and identify with the space created by the architecture during the viewing of the film. This identification process by the audience is central to a proper and legitimate understanding of the film. In this dissertation, I have chosen to analyse three films - all of them Science Fiction. My reason for choosing them was that I was intent upon finding some of the most interesting, thought provoking and effective ways architecture has been used to activate a response within viewers of film: a response, which is entirely justifiable, and extends to an unquestionable belief in the validity of the story taking place on the screen. All three of the films chosen within this study raise specific issues in relation to the significance of architectural space and form in Science Fiction cinema. Cyrus Manasseh is an essayist, philosopher, historian and musician. He teaches in universities and privately as a higher education consultant. He is an international scholar and has presented his ideas in a number of countries. Dr Cyrus Manasseh PhD is also a Freelance Researcher, Novelist and author of the books The Lead Guitarist and The Problematic of Video Art in the Museum 1968-90. He is also author of numerous essays and articles in the field of art history, film, architecture, video, museums, evolving media and drama. His published essays and articles include: Art without the Aesthetics? Defining Conceptual & Post-Conceptual Practices, From Passive White Cube Viewer to Active Black Cube User: Tracking Changes in Museum Environments via Installation Art (Analogue to Digital 1968-2008), Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel. He has presented his research at international academic forums which include those in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and taught extensively in Australian Universities. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film.

Anbieter: ciando eBooks
Stand: 11.07.2017
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Revising Animation Genres: Jan Svankmajer, Tim ...
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Scientific Essay from the year 2011 in the subject Film Science, grade: N/A: Professional Lecture, University of Technology, Sydney (School of Design), course: MA Animation, language: English, abstract: This lecture Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth addresses the idea or concept of todays classification of genres for animation feature films and interrogates why this concept needs to be revised today. The lecture is also about what makes it possible to tell a story successfully within films that use animation visual effects today. To do this, it discusses why the concept of the animation genre needs to be revised and suggests how today we need to look at the idea of genres in animation differently than we did in the past. By contrast with the modernism of the past (when fixed styles in art and culture had existed, making it possible to create certain strong recognisable frameworks for art which had helped us categorise different styles and genres and types of film and types of stories), today, a lot more art and art making is made up from a lot of pastiche, which now sees the appropriating of a mixture of ideas from other contexts, genres and themes. This appropriation of ideas previously not normally grouped together within an artwork or film or piece of animation is now being combined into an overall fraternizing of codes and references in films that often would employ animation visual effects. Cyrus Manasseh is an essayist, philosopher, historian and musician. He teaches in universities and privately as a higher education consultant. He is an international scholar and has presented his ideas in a number of countries. Dr Cyrus Manasseh PhD is also a Freelance Researcher, Novelist and author of the books The Lead Guitarist and The Problematic of Video Art in the Museum 1968-90. He is also author of numerous essays and articles in the field of art history, film, architecture, video, museums, evolving media and drama. His published essays and articles include: Art without the Aesthetics? Defining Conceptual & Post-Conceptual Practices, From Passive White Cube Viewer to Active Black Cube User: Tracking Changes in Museum Environments via Installation Art (Analogue to Digital 1968-2008), Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel. He has presented his research at international academic forums which include those in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and taught extensively in Australian Universities. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film.

Anbieter: ciando eBooks
Stand: 11.07.2017
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Cinema and Mass Media in Modernity. Walter Benj...
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Seminar paper from the year 2011 in the subject Film Science, grade: N/A Professional Lecture, University of Western Sydney (School of Communication Arts, College of Arts), course: BA Design, language: English, abstract: From the beginning of photography, photographers had always attempted to produce photographs which could be accepted by the same criteria as painting. This was changed however by new people such as Moholy-Nagy, Rodchenko, Man Ray etc. who we already discussed in the tutorials. One of the first theories of film in the English Language was Vachel Lindsays The Art of the Moving Picture, which was published in 1915 which described the motion picture as a great high art. In fact, experiments in Electronic Media had originally begun in 1877 with the sound recordings Edison had made with his cylinder phonograph and the Gramophone (1898) and continuing with radio and silent movies of the 1920s and then talking cinema from 1926 which came out with the Jazz Singer. Following photography and its technological discoveries, Film production would continue to reveal the new link between art and the new developments in science during the early 19th century and the invention of film in the 1890s. Through its system of production, the rules of understanding images changed for everybody in significant ways. This period would be when the new mechanical technologies such as photographic, cinematic, and arriving soon after, television or televisual images would all be infinitely reproducible. This fact would change the role of images in society and greatly increase the influence upon us. In the era of the new films being made from the early 20th century, which had come out of the experiments that were taking place in photography one could say that then motion was added to the photograph. Because of this, early film could in this way be seen as early photoplays and the people best qualified for this had been the painters, architects and sculptors such as Edwin S. Porter in America, Georges Melies in France Dziga Vertov, Sergei Eisenstein in Russia, D.W. Griffith in America who represent some of the most important of these at the time. This lecture discuss the validity of Walter Benjamins ideas within an historical context in relation to the effects of the photographed or filmed image and the mass reproduction of images in society. Cyrus Manasseh is an essayist, philosopher, historian and musician. He teaches in universities and privately as a higher education consultant. He is an international scholar and has presented his ideas in a number of countries. Dr Cyrus Manasseh PhD is also a Freelance Researcher, Novelist and author of the books The Lead Guitarist and The Problematic of Video Art in the Museum 1968-90. He is also author of numerous essays and articles in the field of art history, film, architecture, video, museums, evolving media and drama. His published essays and articles include: Art without the Aesthetics? Defining Conceptual & Post-Conceptual Practices, From Passive White Cube Viewer to Active Black Cube User: Tracking Changes in Museum Environments via Installation Art (Analogue to Digital 1968-2008), Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel. He has presented his research at international academic forums which include those in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and taught extensively in Australian Universities. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film.

Anbieter: ciando eBooks
Stand: 11.07.2017
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Video
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Video Abo Trends und Innovationen aus der Hi-Fi-Welt Wenn Sie stets über aktuelle Entwicklungen auf dem Hi-Fi-Markt informiert sein möchten sind Sie mit einem Video Abo gut beraten. Techniktrends werden dabei ebenso in den Fokus genommen und bewertet wie Produktneuheiten. Die Macher der Zeitschrift Video haben für ihre umfangreichen Testreihen ein eigenes Labor zur Verfügung sodass unabhängige objektive Beurteilungen garantiert sind. Darüber hinaus profitieren Sie mit einem Video Abo regelmäßig von fundiert recherchierten Reportagen und Berichten die dafür sorgen dass Sie technisch immer auf dem neuesten Stand sind. Das Magazin richtet sich gleichermaßen an Technikversierte wie an Laien die ihr Heimkinosystem aufrüsten möchten und dazu auf detaillierte Informationen angewiesen sind. Selbst komplexe Themen und Fragest...

Anbieter: abo-direkt.de
Stand: 06.03.2017
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